Pierre Auguste Renoir
Currently unavailable. The Gallery is interested in acquiring works by this artist.
works sold
Femme Nue Couchée. Original Etching, Plate size: 5 1/8” x 7 3/8,” Paper Size: 10" x 13"
Le Chapeau Epingle (The Pinned Hat). (La fille de Berthe Morisot et sa cousine.) Original etching, 4 5/8” x 3 3/8,” 1894.
This rendition was created circa 1894 by Renoir in much greater detail than the first two versions which feature the girls facing in the opposite direction with much less detail. The scene depicts the two serene young women (Berthe Morisot's daughter, Julie Manet, and her cousin) seated in elegant dresses and wearing large hats with ribbons on them, the model facing the viewer is having her hat adjusted by the model in the foreground. Beautifully executed, this work is a strong example of the impressionist reflection on life as that of light and beauty. Hand signed in the plate on the lower left of the image. Featured in the 1894 publication of La Vie Artistique by Gustave Geffroy and also in the 1921 work, Renoir et ses Amis by Georges Rivire.
Biography
(French, b. 1841 - d. 1919)
"You come to nature with all her theories, and she knocks them all flat." -- Renoir
Pierre Auguste Renoir was born in Limoges, France, on February 25, 1841, the sixth of Leonard Renoir and Marguerite Merlet's seven children. His father was a tailor and his mother was a dressmaker. His family moved to Paris in 1844. Showing a remarkable talent for drawing, Renoir became an apprentice in a porcelain factory where he painted designs on fine china. Later, after the factory had closed, he worked for his older brother, decorating fans, blinds and signs. Throughout these early years Renoir made frequent visits to the Louvre where he studied and developed a deep respect for the art of 18th Century French Rococo Masters.
In 1862 Renoir began to study painting seriously and entered the studio of the painter Charles Gleyre, where he met other artists such as Claude Monet. The 1860s were difficult years for Renoir. At times he was too poor to buy paints or canvas, and the national Salons of 1866 and 1867 rejected his artworks. The following year the Salon accepted his portrait of his girlfriend, Lise Trehot. Renoir continued to develop his work and to study the paintings of other artists of the day such as Manet and Courbet.
A revolution was beginning in French painting during the 1860s. A group of young painters began to rebel against the traditions of Western painting which was steeped in Realism. These artists began to paint outdoors, using nature as their inspiration, in an attempt to capture the nuances of light and atmosphere with quick bold strokes of color. As a result, their works revealed a look of freshness that rapidly departed from the style of the Old Masters. These new works were initially shunned by the public and art critics who considered them unfinished, underdeveloped and mere 'impressions' of subjects. The critic's insult stuck and Impressionism was born. The group, which included Renoir, Monet, Sisley, Cassatt, Degas and others, were unable to gain acceptance into the official Salons and eventually created their own series of exhibitions called the Salon des Refuses.
Although the Impressionist exhibitions were the targets of much public scorn, Renoir's popularity gradually increased and in time, he was backed by loyal art dealers and devoted collectors. His works depicted men and women together in casual social settings, vibrant intimate portraits, voluptuous nudes and lush landscapes full of emotion. In 1890, at the age of 49, Renoir made his first etching La Danse a la Compagne, based on his 1883 painting, which featured his brother Edmond and painter Suzanne Valadon. Renoir would eventually create approximately 55 different etchings and lithographs in his recognizable style.
In 1890 Renoir married Aline Charigot, his companion of almost ten years. They would have three sons in all. The artist quickly incorporated his family and relatives into his later works. It was during these later years that Renoir further developed his unique style—a blend of Classicism and Impressionism which featured radiant nude bathers and tender familial scenes.
Renoir's health declined severely in his later years. In 1903 he suffered his first attack of arthritis and settled for the warmer climate at Cagnes-sur-Mer, in the South of France. The arthritis made painting painful, yet he continued to work, at times with a brush inserted between his crippled fingers. Pierre-Auguste Renoir died at Cagnes-sur-Mer on December 3, 1919, but not before experiencing a major artistic triumph: the State had purchased his 1877 portrait Madame Georges Charpentier and he traveled to Paris in August to see it hanging in the Louvre.
Museum Collections
Phillips Collection, Washington, DC
National Gallery of Art, Washington, DC
Getty Museum, Los Angeles
Norton Simon Museum, Pasadena
Metropolitan Museum of Art, NY
Frick Collection, NY
Barnes Foundation, PA
Cleveland Museum of Art, OH
Art Institute of Chicago, IL
Museé d'Orsay, Paris
The Louvre, Paris
Museé de l'Orangerie, Paris
National Gallery, London
Tate Gallery, London
British Museum, London
Hermitage Museum, Russia