"The Blue Fish", original lithograph print, 9" x 15 1/4", "The Blue Fish" is from March Chagall's 1957 portfolio "Chagall" by Jacques Lassaigne. The portfolio of 15 color lithographs was published by Maeght and printed by Mourlot Freres, Paris.

"The Blue Fish", original lithograph print, 9" x 15 1/4", "The Blue Fish" is from March Chagall's 1957 portfolio "Chagall" by Jacques Lassaigne. The portfolio of 15 color lithographs was published by Maeght and printed by Mourlot Freres, Paris.

Marc Chagall (1887 - 1985) 

Chagall was a Russian-Belarusian-French painter of Jewish origin, who was born in Belarus, at that time part of the Russian Empire.  He is associated with the modern movements after Impressionism.

Marc Chagall was born Moishe Shagal; his name was rendered in the Russian language as Mark Zakharovich Shagalov.  Chagall was born in Liozno, near Vitebsk, Belarus, the eldest of nine children in the close-knit Jewish family led by his father Khatskl (Zakhar) Shagal, a herring merchant, and his mother, Feige-Ite. This period of his life, described as happy though impoverished, appears in references throughout Chagall's work.  Currently the Shagal's house on Pokrovskaya Street in Vitebsk is restored as part of the Marc Chagall's Museum.

After he began studying painting in 1906 under famed local artist Yehuda Pen, Chagall moved to St. Petersburg some months later, in 1907.  There he joined the school of the "Society of Art Supporters" and studied under Nikolai Roerich, encountering artists of every school and style.  From 1908-1910, Chagall studied under Leon Bakst at the Zvantseva School of Drawing and Painting.

This was a difficult period for Chagall; at the time, Jewish residents were only allowed to live in St. Petersburg with a permit, and the artist was jailed for a brief period for an infringement of this restriction.  Despite this, Chagall remained in St. Petersburg until 1910, and regularly visited his home town where, in 1909, he met his future wife, Bella Rosenfeld.

After gaining a reputation as an artist, Chagall left St. Petersburg to settle in Paris to be near the burgeoning art community in the Montparnasse district, where he developed friendships with such avant-garde luminaries as Guillaume Apollinaire, Robert Delaunay, and Fernand Léger.  In 1914, he returned to Vitebsk and, a year later, married his fiancée, Bella.  While in Russia, World War I erupted and, in 1916, the Chagalls had their first child, a daughter they named Ida.

Chagall became an active participant in the Russian Revolution of 1917.  Although the Soviet Ministry of Culture made him a Commissar of Art for the Vitebsk region, where he founded Vitebsk Museum of Modern Art and an art school, he did not fare well politically under the Soviet system.  He and his wife moved to Moscow in 1920 and then back to Paris three years later, in 1923.  During this period, Chagall published his memoirs in Yiddish, which were originally written in Russian and translated into French by Bella.  He also wrote articles, poetry and memoirs in Yiddish, published mainly in newspapers (and only posthumously in book-form).  Chagall became a French citizen in 1937.

With the Nazi occupation of France during World War II and the deportation of Jews, the Chagalls fled Paris, seeking asylum at Villa Air-Bel in Marseille, where the American journalist Varian Fry assisted in their escape from France through Spain and Portugal.  In 1941, the Chagalls settled in the United States of America.

On September 2, 1944, Chagall's beloved Bella, the constant subject of his paintings and companion of his life, died from an illness.  Two years later, in 1946, he returned to Europe.  By 1949 he was working in Provence, in the South of France.  That same year, Chagall took part in the creation of the MRAP anti-racist NGO.

The depression Chagall experienced following Bella's death was alleviated when he met Virginia Haggard, with whom he had a son, David (McNeil).  At this time, Chagall received financial aid from theatrical commissions and, in his painting, rediscovered a free and vibrant use of color. His works of this period are dedicated to love and the joy of life, with curved, sinuous figures.  He also began to work in sculpture, ceramics, and stained glass.

In 1950 he also began experimenting with graphic mediums. After meeting with Fernand Mourlot, he often visited Mourlot Studios where he eventually produced close to a thousand different lithographic editions.  With the assistance of Charles Sorlier, a master printer working at Mourlot, he spent 30 years exploring the graphic medium that most lends itself to color representation.  Charles Sorlier also became one of his closest friends, assistant and counsel until the day of his death.

Chagall remarried in 1952 to Valentina Brodsky (whom he called "Vava").  He traveled several times to Greece and in 1957 visited Israel.  In 1960, he created stained glass windows for the synagogue of the Hadassah Ein Kerem hospital in Jerusalem and, in 1966, wall art for the new parliament being constructed in that city.

During the Six Day War the hospital came under severe attack, placing Chagall's work under threat.  In response to this, Chagall wrote a letter from France stating: "I am not worried about the windows, only about the safety of Israel.  Let Israel be safe and I will make you lovelier windows."  Luckily, most of the panels were removed in time, with only one sustaining severe damage.  In 1973, Israel issued a series of stamps featuring the Chagall windows, which depict Twelve tribes, such as Levi, pictured here.

At the age of 97, Chagall died in Saint-Paul de Vence on the French Riviera on March 28, 1985 and was buried at the local cemetery.  His plot is located in the most westerly aisle upon entering the cemetery.



Biography from Artistic Gallery

Marc Chagall was born in Vitebsk, Byelorussia to a poor Hassidic family. The eldest of nine children, he studied first in a heder before moving to a secular Russian school, where he began to display his artistic talent.  With his mother's support, and despite his father's disapproval, Chagall pursued his interest in art, going to St. Petersburg in 1907 to study art with Leon Bakst.  Influenced by contemporary Russian painting, Chagall's distinctive, child-like style, often centering on images from his childhood, began to emerge. 

From 1910 to 1914, Chagall lived in Paris, and there absorbed the works of the leading cubist, surrealist, and fauvist painters.  It was during this period that Chagall painted some of his most famous paintings of the Jewish "shtetl" or village, and developed the features that became recognizable trademarks of his art.  Strong and often bright colors portray the world with a dreamlike, non-realistic simplicity, and the fusion of fantasy, religion, and nostalgia infuses his work with a joyous quality. Animals, workmen, lovers, and musicians populate his figures; the "fiddler on the roof" recurs frequently, often hovering within another scene.  Chagall's work of this period displays the influence of contemporary French painting, but his style remains independent of any one school of art.  He exhibited regularly in the Salon des Independants. 

In 1914, before the outbreak of World War I, Chagall held a one-man show in Berlin, exhibiting work dominated by Jewish images and personages.  During the war, he resided in Russia, and in 1917, endorsing the revolution, he was appointed Commissar for Fine Arts in Vitebsk and then director of the newly established Free Academy of Art.  The Bolshevik authorities, however, frowned upon Chagall's style of art as too modern, and in 1922, Chagall left Russia, settling in France one year later. He lived there permanently except for the years 1941 - 1948 when, fleeing France during World War II, he resided in the United States. Chagall's horror over the Nazi rise to power is expressed in works depicting Jewish martyrs and Jewish refugees. 

In addition to images of the Hassidic world, Chagall's paintings are inspired by themes from the Bible. His fascination with the Bible culminated in a series of over 100 etchings illustrating the Bible, many of which incorporate elements from Jewish folklore and from religious life in Vitebsk.  Chagall's other illustrations include works by Gogol, La Fontaine, Y. L. Peretz, and his autobiographical Ma Vie (1931; My Life 1960) and Chagall by Chagall (1979). 

Chagall painted with a variety of media, such as oils, water colors, and gouaches. His work also expanded to other forms of art, including ceramics, mosaics, and stained glass.  Among his most famous building decorations are the ceiling of the Opera House in Paris, murals at the New York Metropolitan Opera, a glass window at the United Nations, and decorations at the Vatican. 

Israel, which Chagall first visited in 1931 for the opening of the Tel Aviv Art Museum, is likewise endowed with some of Chagall's work, most notably the twelve stained glass windows at Hadassah Hospital and wall decorations at the Knesset. 

Chagall received many prizes and much recognition for his work.  He was also one of very few artists to exhibit work at the Louvre in their lifetime